“I believe in the Church of Baseball. I’ve tried all the major religions and most of the minor ones. I’ve worshipped Buddha, Allah, Brahma, Vishnu, Siva, trees, mushrooms and Isadora Duncan… The only Church that truly feeds the soul, day in and day out, is the Church of Baseball.” —Annie Savoy in the film “Bull Durham.”
Those who’ve paid any attention perceive that taste, values, ideas, style and behavior are dispensable criteria of class. Donald Trump is an instructive specimen in this regard. Overall, class structure is one hell of a thing. It defines who we are from the cars we drive, the television shows we watch, the clothes we wear, the neighborhoods we live in, even the food we eat. I thought nothing about these things as a child, hell, who does? You wake from a slumber, go to school, come home, eat some macaroni and cheese, play baseball until the sun goes down, and then repeat…ad infinitum. ( you can throw a few ass whippings in there for good measure; i was a rebellious spirit)
And like every other red-blooded American boy, I idolized baseball players, never questioning the ethics or morals of my heroes. How could they be so “bad?” I knew nothing about drug use, (Darryl Strawberry, Josh Hamilton) D.U.I.’S, ( Miguel Cabrera, Coco Crisp, Adam Kennedy) wife-beating, ( Milton Bradley, Alberto Callaspo, Brett Myers) tax evasion ( Darryl Strawberry, Pete Rose) or even murder ( Julio Machado, Ugueth Urbina) These things were done by OTHER people who weren’t associated with me and my family, and never the twain shall meet. I learned quite quickly through the buying and trading of baseball cards about the true nature of the human condition. (of which my parents weren’t exempt) These little pieces of cardboard had taught me deceit, unfair business practices, price manipulation, collusion, restraint of trade, extortions, pay- offs, bribes, plagiarism, and false hype. Soon thereafter, as I entered my early teens I started to understand privilege, advantage and wealth as the Yankees had started to define it in ways that were bigger than the world of baseball: my life consisted of old, out of style clothes, pot pies for dinner and late night parental arguments over bills.
I would like to thank baseball for teaching me these valuable lessons. The beautiful game is rich with juxtapositions and historical aspects that go beyond stats, OBP’s, WHIPS, and World Series titles. It is a game that teaches you to slow down, as it can be played in the mind as well as on the field. It is a game of anticipation, a game that erupts in a sudden explosion of action, then slows down again, giving us time to savor what we have seen, and to give us time to think about what we are going to see. It shows you that you are not perfect, and that you don’t have to be. It also teaches you to enjoy your lot in life whether you be a HOF er or a .220 hitter. It teaches you that no matter how much you think you know, you should always learn MORE. It teaches you to love and cherish something that was loved and cherished by a father or grandfather, and that you love and cherish in return. I have long since stopped putting these guys on a gold pedestal, and it has enriched my life in ways no home run ball, autograph, or season ticket could ever match.
As a child who grew up in the seventies, I’m flabbergasted at the degree of generational differences in health, medicine, food, safety, and general well-being of children. We had no internet, cell phones, computers or video games…but let’s get down to the brass tacks about something really important that we did have…television.
Highway to Heaven was a television show that ran from 1984-1989. At that time, I was just coming into my own as an imaginative, shy and loner pre-teen who hadn’t even learned how to bop his bologna yet. Television was sort of a meditative time for me as I didn’t watch it very often, (we entertained ourselves through peer interaction and physical activity.) and one of my favorite shows was Highway to Heaven. The synopsis of the show was that Michael Landon (left) is an angel sent down to earth to help the downtrodden and oppressed. The angel picks up a scuzzy-looking human partner along the way (Victor French, right) to help him out and generally be his driver and to give cynical advice. (these two were also co-stars on the insanely popular, Little House on the Prairie, a show that confused and baffled me as a small child while watching it with my aunt.) French was rarely seen without his old, beat-up A’s cap on the show, and I remember thinking that it was so strange that an A’s fan would be helping an angel. As in, the (then) California Angels, who are the A’s divisional rival. The show was sappy and didn’t stop shoving life lessons at you, in turn, a squeaky clean inspirational series that doesn’t tend to get much airplay anymore in a TV world clogged with police beat-downs, reality shows and Kardashians. Landon’s angel wants us to believe in the goodness of people. Most of the episodes dipped into a rich, creamy schmaltz which was pretty good stuff for a young idiot in the 1980’s.
French was a heavy smoker who died in 1989 at 54 of lung cancer. The two were close, and when French died Landon was so devastated that he stopped producing the show. Landon died in 1991 of pancreatic cancer, a sad day in Hollywood as he was seen as one of the more charming and good-hearted actors in a world of phonies and narcissists.
It is no secret among my cohorts that my sense of dislocation and fluid relationship to language gave me an extremely strong sense of the arbitrary when it came to systems of communication. In layman’s terms: I can see through the bullshit.
But, before I turn this into a slander against greedy owners, bitchy players, or “literary” based baseball blogs whose editors couldn’t write their way out of a paper bag; I would like to take a short walk down memory lane…. (if you can wade through the labyrinthine stories and digressions)
Jack Kerouac was a “be-bop” writer and one of my heroes as a teenager. I tried to dress like him (khakis, newsboy hat, white t’s) and even did funny things like taking hallucinogenic mushrooms in cemeteries and writing poetry. (anyone who sees this as “wrong” should probably analyze their own connection with a reality based culture in which facts, opinions and lies are interchangeable) Although my admiration had waned for “Ti Jean” by the time I had reached my 30’s, I was astounded when I had learned Kerouac had devised a fantasy baseball game as a child. The game was based on a set of cards that had precise verbal descriptions of various outcomes (“slow roller to SS or 2B,” for example), depending on the skill levels of the pitcher and batter. The game could be played using cards alone, although sometimes Kerouac determined the result of a pitch by tossing some sort of projectile at a diagramed chart on the wall. In 1956 he switched to a new set of cards, which used hieroglyphic symbols instead of descriptions. He collected their stats, analyzed their performances and wrote about them in homemade newsletters and broadsides. I, too, had played a similar game as a child, using baseball cards, dice and statistics; (this was how i figured out the E.R.A., an arduous task as a boy) keeping track of careers (this involved ungodly amounts of paper), sending players to the minors (yes, I had minor league systems too!) and conducting drafts. It was sort of therapeutic to find out that one of my idols had done something so cerebral and individualistic with the same obsessive quality that I had. This was a testament to my love for the game and a secret I had held close until now.
Thanks to Jim Nash for the personalized autograph. In the interviews I’ve listened to, you seem to be a good guy and have a lot of hilarious stories to tell.
I attended my first game at the age of 8 at the Los Angeles Memorial Coliseum. Dodger Stadium was not in existence yet. The Dodgers were playing the much hated Giants, and Don Drysdale was pitching. Attending that game made a tremendous impression on me. It wasn’t just the game itself, it was being in the middle of
30-40,000 cheering people, mostly adults, who were invested in the outcome of the game. It was at that point I began to see baseball as more than just ‘a game’.
My parents made me attend church every Sunday, but by the age of 9 or 10 I decided that baseball was my religion. Koufax and Drysdale might as well have been gods, and Vin Scully, the Dodgers radio voice the High Priest. Each game was like a sermon. You learned about baseball, the players, and the history of the game.
One day in the 5th grade, my best friend found out that Sandy Koufax was going to be speaking at
a $100 a plate luncheon at the Beverly Hilton Hotel. It was about a four mile bike ride from where we
lived, and it was in the middle of the week, so we would have to figure out how to miss school.
When we arrived at the Hilton, we searched until we found the banquet room where Sandy was the guest of honor. We asked the doorman if we could just look in and actually see Koufax. When he opened the door we saw Sandy sitting at a podium at the front of a large banquet room with at least 300 people having lunch and listening to various speakers. We both waved at Sandy, much to our surprise, he waved back.
It made our day!
We thanked the doorman and asked if Koufax would be coming out through these doors because we wanted to get his autograph. He told us that he would and we walked off looking for a good place to wait. As we were walking away, the doorman said, “Hey boys come back here”. He told us that Sandy wanted us to come in and join the luncheon. We couldn’t believe it, and we knew no one back at school was going to believe us either.
The waiters actually set up another table for us in the very front of the room, right near the podium. We were surrounded by wealthy businessmen wearing suits, and there we were in our jeans and T-shirts. It’s not everyday you get to meet God, but on that day 50 years ago, we thought we had. Needless to say, Sandy autographed our baseballs for us but it was so
much more than just an autograph he had given us. It was a priceless memory and an act of kindness which showed that Koufax was more than just a great pitcher
Becoming a professional baseball player was a life long goal. Signing a contract to play in the Oakland A’s minor league system was emotionally satisfying, validating years of hard work. However as satisfying as it was there was also a downside to professional baseball. Everyone who has ever played professional baseball learns very quickly, that although the competition is better and the game itself hadn’t changed, we weren’t just playing baseball anymore. We were in the business of playing baseball.
Every minor league player has the same dream and shares a common goal: playing in the big leagues. But for 95% of them, the dream comes to an end in the minor leagues. To see one of your teammates released, and realizing it was the end of a life-long dream was painful. It was almost as if someone had died, in a very real way part of them had. The joyful innocence of a neighborhood pick-up game was a distant memory, replaced by the harsh realities of professional baseball.
Most of the players I have known will tell you that their time in the minor leagues was more enjoyable than the time spent in the major leagues, if for no other reason than minor league players spend more time together. Major league players live with their families at home and have a room to themselves on the road. Minor league players are roommates at home and on the road. They endure 10 hour bus rides, worry about playing time, slumps, injuries, and the possibility of being released. Most of all they share the dream of playing in the big leagues.
I got off to a great start in my second year playing for the 1976 Chattanooga Lookouts, the Double A affiliate for the Oakland A’s.
I was 8-3 half way through the season, had a moving fastball in the mid 90’s, and good command of a sharp breaking slider. If it
wasn’t for the fact that the A’s were a team with several established veteran pitchers, I would likely have been called up to the
In 1976, baseball was in the early years of free agency. By mid-season, A’s owner Charles Finley decided to trade and sell off his star players rather than lose them to free agency. Catfish Hunter had been traded to the Yankees and Reggie Jackson to the Orioles. When Finley attempted to sell Vida Blue, Rollie Fingers, and Sal Bando, Bowie Kuhn who was the Commissioner of baseball prohibited the sale, saying that, “It wasn’t in the best interests of baseball”. Well it would have been in my best interests!
There is a very good chance that if those transactions had been allowed, I would have been pitching for the A’s that summer. Unfortunately I tore a tendon in my elbow later that season, eventually underwent elbow surgery, and spent the next two years
rehabbing, trying to get back on the path to the big leagues. I became a different pitcher by necessity. The velocity and movement on my fastball were diminished, and a curveball replaced my slider. The narrow and treacherous path to the big
leagues became even more precarious.
In June of 1979, I finally made it to the promised land, and won my first game in Yankee Stadium in July. I felt privileged to
have competed on the same field as Ruth, Gehrig, and DiMaggio, but even better having beaten the defending World Champions. I ended up with a with a 8-7 record on a team that lost 108 games.
Prior to the 1980 season the A’s hired Billy Martin to manage the team. He turned a horrible (54-108) team into a winning
team (83-79) by maximizing the teams strengths which were starting pitching and speed. Rickey Henderson stole 100 bases.
We led the league in ERA and set a modern-day record with 94 complete games.
1980 was also the year I lost 20 games. Despite pitching well, I suffered from a lack of offensive support. 20 game losers
are almost always found on 90-100 loss teams. However, I managed to lose 20 games on a winning team, something that
hadn’t been done since 1922, and very likely will never happen again. The hardest part of losing 20 games for me was the
fact that I was the only one losing. The twenty game losers on those 100 loss teams had company. They say misery loves
company, well I was all alone!
Billy Martin was a great manager. Few could match his knowledge of the game and none could match his willingness
to take risks. He was a master of the element of surprise. Billy was a very intense individual. His intensity was both his
greatest strength and his greatest weakness. The famous Lombardi quote, “Winning isn’t everything, it’s the only thing”,
is the perfect description of what Billy was like. For Billy, losing was like a small piece of death.
As a player Billy was combative and frequently involved in fights. As a manager Billy could go from a great motivator to a bullying tyrant very quickly. He occasionally became involved in fights on and off the field, several of them with his own pitchers. One night at the hotel bar in Kansas City after a loss Billy decided he wanted to fight me. I didn’t see it as a wise decision for
either of us. Obviously it wouldn’t be a good career move for me, and Billy was sure to get at least a short beating before thecoaches could intervene. We walked outside, me alone, and Billy with his entourage, his coaches as bodyguards, to get it on. When Rickey Henderson noticed everyone headed outside he asked what was going on. He was told to not get involved. To his
credit he thought I looked outnumbered and disobeyed the coaches. Rickey was there for me if I needed help.
Billy began by poking me in the chest with his finger. I grabbed his hand and wouldn’t let him retract it. He tried to swing his other hand at me and I grabbed it too. The coaches rushed in to break it up, no punches landed by either side. Needless to say, 1980 was a very long year for me. Losing 20 games in a season is hard on any pitcher but doing it for Billy Martin made it twice as hard.
Billy could play the nice guy too. One time on a flight after I had pitched well but lost, he told Art Fowler to bring me up to the front
of the plane where Billy and the coaches sat. He told me I had thrown a great game that day and he was proud of me. He said,
“Next year will better. You’re going to win 20 games next year”. I returned to the back of the plane and about 10 minutes later I see Art coming down the aisle again looking straight at me. “Billy wants to see you again” Art said. This time Billy was on his second bottle of wine. He said, “With you’re stuff your going to win 23 games for us next season”. The guys in the back of the plane wanted to know what Billy had told me. I said “The first time he said I was going to be a 20 game winner next year, and
this time I had made it up to 23 wins. If this flight lasts long enough, who knows, I might have had a shot at winning 30!”
The next two years saw us go from a playoff team in 1981 to a 4th place finish in 1982. Our pitching staff that had completed
154 out of 271 games during the 1980 & 1981 seasons began to show symptoms of overuse. Billy’s relationship with the owners deteriorated quickly, and he was fired after the season. I was sold to Boston and ended my career with the Giants.
Baseball comes to an end for everyone who has played the game. The end may come in high school, college, or perhaps
in professional baseball. Very few leave the game on their own terms. The longer you play the game the more it becomes
a part of your life and the harder it is to say goodbye.
Satchel Paige was right when he said, “Don’t look back, something might be gaining on you”. For a very longtime, that “something” was my baseball career. It was several years before I could enjoy talking about it and revisiting the memories.
The end of a career can be like a divorce when someone you still love has decided to move on without you.
Despite not throwing a baseball for 25 years, teammates from college and high school convinced me to play baseball again in the MSBL World Series. What I discovered playing MSBL was beyond my greatest expectations. I rediscovered the joyful innocence
of playing baseball we all experienced as kids, playing the game because we love it. It was almost a shock to see guys hustling and playing hard because they wanted to and having a great time.
Baseball has always been more than just a game. Playing baseball for me is like going home again. New friends are made, and old friends are reunited. Vin Scully once said “It’s a mere moment in a man’s life between the All-Star Game and an old timer’s game” For some of us it has been five of six decades since our first game as a kid, yet it too seems like a mere moment.
Our time together is magical, but unfortunately comes to an end all too soon.
They say that professional athletes die twice in this life, and the first time is when you stop playing. Thanks to the Mens Senior Baseball League, I am still trying to decide if I have been reincarnated or born again. Either way I consider myself lucky, not everyone gets to die three times. No worries though, old ballplayers never die, they just fade away.
Alex George was signed by the Athletics during their first season in Kansas City out of a local Jesuit high school. All of his Major League appearances took place before his 17th birthday — making him the second youngest non-pitcher to debut in MLB since 1944, and also the youngest player to ever play for the Athletics. He struck out in his first Major League plate appearance against relief pitcher Al Papai of the Chicago White Sox, but four days later, on September 20, playing as the A’s starting shortstop, he collected his only big league hit, a bunt single off Duke Maas of the Detroit Tigers. George had bunted his way to his only major league hit and would end his “career” with one hit in ten at bats for a measly .100 average.
Although Mr. George will go down in history as a minor foot-note, his achievement, the act of an obviously desperate ball club, got me thinking about my own life at the age of 16. My dereliction had started a few years earlier in junior high, and by the time high school came around I was barely attending classes. I would stop by my friend Manuel’s house in the morning, and after smoking some grass and watching a few videos, we would usually decide that skateboarding all day sounded infinitely better than going to school and getting your ass kicked for wearing punk rock garb. As Steve Martin would say about his sister’s son in the movie Parenthood, ” that’s one messed up kid.”
I’ve found that most archetypical “rejects” usually fall into one of two paths: there are the ones that are naturally artistic, read outstandingly bad literature (me) and eventually learn through a series of vicissitudes that change is inevitable and sometimes vital. I eventually went to art school, achieved an M.F.A., traveled the world and now live a quiet, normal life (Well, normal if you consider someone who is childless in their late 30’s “normal.”) The other end of the spectrum is jail, drugs and even death. I have seen some friends go down these paths and even lost a few because of their choices. Sometimes I’ll be sitting around, watching a movie or doing some other domesticated time -killer when it suddenly hits me: it’s a miracle that I’m even alive. I imagine some of the same things were going through Mr. George’s mind as he was running to first on that bunt base hit. The under-dog just fighting for survival…..and as soon as these thoughts enter my head, they leave swiftly. Another thought enters– What the hell am I going to have for lunch? I take another sip of beer and decide to take a nap.